Current Issue 155
Lip Service
From the Vatican to the Venice Biennale: the limits to symbolic acts of altruism
City Living
The shifting landscape of contemporary art in Beijing
Decade-ism
How taste and preferences change
Bodies of Evidence
Artists respond to migration in Africa
The Italian Job
Massimiliano Gioni discusses his plans for the 55th Venice Biennale, ‘The Encyclopaedic Palace’
Loop the Loop
A brief history of the GIF
Books
Oulipo and the re-release of Raymond Queneau’s 1947 Exercises in Style
After Life
A new film reconstructs Félix Guattari’s unproduced sci-fi script
Dirty Money
An artist-led guided tour of corruption in the Czech Republic
Music
The dub rhythms of artist and composer Marina Rosenfeld
Ideal Syllabus: Gary Panter
Artist Gary Panter draws and discusses the books that have influenced him
Blurred Visions
What do drones see? And how can we see them?
In Your Head
The surreal, oddly familiar world of Nicole Eisenman
Picture Piece: Joe Orton’s bedroom
The Islington bedroom where the playright was bludgeoned to death
Mascots & Muses
From eroticism to transcendence, the work of Pier Paolo Pasolini and Andy Warhol has many surprising overlaps. Ara H. Merjian traces the affinities and contradictions between an unlikely pair
In Focus: Petrit Halilaj
The Kosovar artist’s biographical narratives and loaded artefacts
Focus Interview: Ian Cheng
Motion-capture choreography, street fights, Looney Tunes and ‘hybrid cinema’
Thought Maps
Gianfranco Baruchello’s long career encompasses painting, sculpture and film as well as farming and psychoanalysis
Organic Systems
Argentinian artist Adrián Villar Rojas talks to Kathy Noble about creating with clay, sculpture-as-film and team-work
My Influences: Helen Marten
The artist discusses skeuomorphism, skins and soup
Focus Case Study: Peles Empire
A collaboration that began with a castle in the Carpathians
In Focus: Emily Floyd
Utopian Modernism, children’s toys and art in the public realm
Other Criteria
From his Conceptual art of the 1960s to his recent computer-generated works, Victor Burgin has consistently explored the virtual nature of images and words. He talked with writer and curator David Campany
Studio Spaces
A number of recent exhibitions and artist projects have utilized the architecture of the television studio. How does this tendency relate to TV’s shifting significance as a cultural form?
NYC 1993
New Museum , New York, USA
By Jennifer Kabat
Yoko Ono
Schirn Kunsthalle, Frankfurt, Germany
By Klaus Walter
The Bride & the Bachelors and Robert Rauschenberg
Barbican Art Gallery / Gagosian gallery, London, UK
By Jeremy Millar
Nayland Blake
Matthew Marks Gallery, New York, USA
By David Everitt Howe
Maya Bloch
Thierry Goldberg, New York, USA
By Ara H. Merjian
The Handler of Gravity
Essex Street, New York, USA
By Wendy Vogel
Ok Huyn Ahn
Showroom 170, New York, USA
By Pablo Larios
Tacita Dean
Marian Goodman, New York, USA
By William Corwin
Josiah McElheny
Vizcaya Museum and Gardens, Miami, USA
By Alpesh Patel
Llyn Foulkes
Hammer Museum, Los Angeles, USA
By Jonathan Griffin
Hilma af Klint
Moderna Museet, Stockholm, Sweden
By Jennifer Higgie
Jan Groover
Galerie Paul Frèches, Paris, France
By Robert Barry
Jos De Gruyter & Harald Thys
M_HKA, Antwerp, Belgium
By Kasia Redzisz
Notes on Neo-Camp
Office Baroque Gallery, Antwerp, Belgium
By Laura McLean-Ferris
Simon Denny
Kunstverein Munich,
By Kevin McGarry
Julia Haller
Galerie Christian Nagel, Berlin, Germany
By Mark Prince
Barbara Hammer
KOW, Berlin, Germany
By Matthew Burbidge
John Henderson
Peep-Hole, Milan, Italy
By Barbara Casavecchia
Paola Revenioti
The Breeder, Athens, Greece
By Marina Fokidis
Simeón Saiz Ruiz
Galería Fúcares, Madrid, Spain
By George Stolz
The Themersons and the Avant-Garde
Muzeum Sztuki, Lodz, Poland
By Krzysztof Kosciuczuk
Jeff Keen
Kate MacGarry, London, UK
By Martin Herbert
Michael Krebber
Maureen Paley, London, UK
By Laura McLean-Ferris
Kutlug Ataman
Thomas Dane Gallery, London, UK
By Nick Aikens
Jeremiah Day
Arcade, London, UK
By Chris Fite-Wassilak
Mark Fisher & Justin Barton
The Showroom, London, UK
By Charlie Fox
Rosa Barba
Cornerhouse & Turner Contemporary, Manchester and Margate
By Amy Sherlock
The Universal Addressability of Dumb Things
The Bluecoat, Liverpool, UK
By Giulia Smith
ECONOMY
CCA & Stills, Glasgow and Edinburgh
By Chris Sharratt
Guan Xiao
Magician Space, Beijing, China
By Carol Yinghua Lu
Queering Making II
Abadi Art Space, Delhi, India
By Eleanor ivory Weber
Nityan Unnikrishnan
Chatterjee & Lal, Mumbai, India
By Prajna Desai
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