Video
Blog 
Interview: William E. Jones
Steven Cairns: Your recent video Actual T.V. Picture (2013) features the transistor developed in the 1940s for electronics and communications, as well as missile guidance…
Current Issue
Lip Service
From the Vatican to the Venice Biennale: the limits to symbolic acts of altruism
City Living
The shifting landscape of contemporary art in Beijing
Decade-ism
How taste and preferences change
Bodies of Evidence
Artists respond to migration in Africa
The Italian Job
Massimiliano Gioni discusses his plans for the 55th Venice Biennale, ‘The Encyclopaedic Palace’
Loop the Loop
A brief history of the GIF
Books
Oulipo and the re-release of Raymond Queneau’s 1947 Exercises in Style
After Life
A new film reconstructs Félix Guattari’s unproduced sci-fi script
Blurred Visions
What do drones see? And how can we see them?
In Your Head
The surreal, oddly familiar world of Nicole Eisenman
Picture Piece: Joe Orton’s bedroom
The Islington bedroom where the playright was bludgeoned to death
Mascots & Muses
From eroticism to transcendence, the work of Pier Paolo Pasolini and Andy Warhol has many surprising overlaps. Ara H. Merjian traces the affinities and contradictions between an unlikely pair
In Focus: Petrit Halilaj
The Kosovar artist’s biographical narratives and loaded artefacts
Focus Interview: Ian Cheng
Motion-capture choreography, street fights, Looney Tunes and ‘hybrid cinema’
Thought Maps
Gianfranco Baruchello’s long career encompasses painting, sculpture and film as well as farming and psychoanalysis
Organic Systems
Argentinian artist Adrián Villar Rojas talks to Kathy Noble about creating with clay, sculpture-as-film and team-work
My Influences: Helen Marten
The artist discusses skeuomorphism, skins and soup
Focus Case Study: Peles Empire
A collaboration that began with a castle in the Carpathians
New Museum
NYC 1993
Schirn Kunsthalle
Yoko Ono
Barbican Art Gallery / Gagosian gallery
The Bride & the Bachelors and Robert Rauschenberg
Matthew Marks Gallery
Nayland Blake
Thierry Goldberg
Maya Bloch
Essex Street
The Handler of Gravity
Showroom 170
Ok Huyn Ahn
Marian Goodman
Tacita Dean
Vizcaya Museum and Gardens
Josiah McElheny
Hammer Museum
Llyn Foulkes
Moderna Museet
Hilma af Klint
Galerie Paul Frèches
Jan Groover
M_HKA
Jos De Gruyter & Harald Thys
Office Baroque Gallery
Notes on Neo-Camp
Kunstverein Munich
Simon Denny
Galerie Christian Nagel
Julia Haller
KOW
Barbara Hammer
Peep-Hole
John Henderson
The Breeder
Paola Revenioti
Galería Fúcares
Simeón Saiz Ruiz
Muzeum Sztuki
The Themersons and the Avant-Garde
Kate MacGarry
Jeff Keen
Current Shows 
Kunsthalle Zürich
Alejandro Cesarco by Aoife Rosenmeyer
Tenerife Espacio de Artes
Regina José Galindo: Piel de Gallina by Ara H. Merjian
ShangART
Geng Jianyi by John Mateer
Sørlandets Kunstmuseum
Ane Graff by Matthew Rana
Virginia Commonwealth University
Tasmeem Doha 2013: Hybrid Making by Kurchi Dasgupta
Gazelli Art House
Niyaz Najafov by Josephine New
Galerie Kamm
Annette Ruenzler by Matthew Burbidge
Castlefield Gallery
Maurice Carlin by Carol Huston
Zachęta National Gallery of Art
Piotr Uklański by Kamila Wielebska
Art Gallery of New South Wales
We Used To Talk About Love by Ruth Learner
Galeria Foksal
Daniel Malone by Krzysztof Kosciuczuk
Museum für Gegenwartskunst
Tell It To My Heart: Collected by Julie Ault by James Voorhies
Monitor
Nathaniel Mellors by Mike Watson
Nature Morte
Bharti Kher by Kurchi Dasgupta
Manchester Art Gallery
Raqib Shaw by Carol Huston
Breenspace
On collaboration: Angela & Hossein Valamanesh and Raafat Ishak & Tom Nicholson by Eleanor Ivory Weber
Frieze Magazine
frieze_magazine
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Polly Staple: Venice Biennale 2003:'It was hot & there was a lot to see & I’m not sure what everyone was looking for' http://t.co/8ZoB0j99QX
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frieze archive: Venice Biennale 2003: A Jean-Michel Basquiat skull grimaces over an anodyne selection from the 1980s http://t.co/L7FnDWdfs8
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Joerg Heiser on the 50th Venice Biennale: http://t.co/TkUM5OsUHT
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frieze archive: Venice Biennale 'life is the untidiest thing that ever happens to anyone' http://t.co/thyjzvgejM
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Wreaking Havoc on the Signified: David Hammons http://t.co/Djb7IKdWv6
From the Archives
From September 1992
Almost Everything Is Available
David Batchelor's review of Documenta IX from issue 6, September-October 1992














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