Issue 243

Showing results 21-32 of 32

Across five installations at Ateneo Art Gallery in Manila, the artist inflects national history with personal history

BY Carlos Quijon, Jr. |

A group exhibition at Tai Kwun Contemporary in Hong Kong argues for feminist-ecological consciousness as a mode of resisting colonial oppression

BY Ysabelle Cheung |

At Selma Feriani, Tunis, the artist uses the ruins of the ancient city of Carthage to find connections between the past and the present

BY Chloe Stead |

In his survey show at Oslo’s Astrup Fearnley Museet, the late painter depicts the vast swaths of machines and technical systems that underpin everyday life

BY Nicholas Norton |

Inspired by a theory of the mind, ‘EGOSTATE’ brings together two artists who mirror each other in their dislocation

BY Zoe Cooper |

In her exhibition at Travesía Cuatro in Mexico City, the passion of Christ becomes a parable for the antihuman politics of the global gig economy

BY Anna Goetz |

At Ingleby Gallery in Edinburgh, the artist draws inspiration from his Orkney heritage to create a unique style of painting with a whimsical touch

BY Lou Selfridge |

An exhibition at London’s Frith Street Gallery showcases delicate graphite, wax and pastel dust drawings that attempt to capture a moment in time for reflection or reliving

BY Salena Barry |

At Martina Simeti, Milan, the artist’s free-form paintings speak to the musical and artistic traditions of Black communities

BY Saim Demircan |

At McMichael Canadian Art Collection, the artist revisits landscape painter Tom Thomson’s Canoe Lake as it’s threatened by floods and forest fires

BY Brandon Kaufman |

The artist’s exhibition at Greene Naftali, New York, recasts Icarus within a modern-day exploration of Black emancipation and freedom

BY Zoë Hopkins |

An exhibition in London features intricate drawings that blend daily life with traditional animism and shape-shifting beings

BY Nevan Spier |