B
Contributor
Barbara Casavecchia

Barbara Casavecchia is a contributing editor of frieze and a freelance writer and curator based in Milan, Italy.

Kosovo makes moves to secure the long-term survival of its cultural history

BY Barbara Casavecchia |

At Muzeum Susch, a posthumous retrospective showcases the artist’s liberating use of latex

BY Barbara Casavecchia |

Barbara Casavecchia interviews the four finalists of Venice’s new College Arte programme

BY Barbara Casavecchia |

At Ordet, Milan, the artist's works based on the circulation and consumption of energy speak to the power of relations

BY Barbara Casavecchia |

‘How Will We Live Together’ – curated by Hashim Sarkis – dreams of a brighter future but fails adequately to respond to the present

BY Barbara Casavecchia |

A country which was once the epicentre of COVID-19 has seen its art scene flourish thanks to the museumscommunity-driven response to the crisis

BY Barbara Casavecchia |

The creator of ‘allegorical’ exhibitions, who believed in the potential of mistakes, has died aged 88

BY Barbara Casavecchia |

MACRO’s ‘Museum for Preventive Imagination: Editorial’ is an experiment with new exhibition formats

BY Barbara Casavecchia |

Ahead of his new work, filmed on a boat in Venice, an interview with the Italian auteur

BY Barbara Casavecchia |

At Converso, Milan, the artist transforms a baroque church into a playground for sculptural interventions

BY Barbara Casavecchia |

Why we’re excited about new works by Jamie Crewe, Sung Tieu, Rodrigo Hernández and Thảo Nguyên Phan

From Michael Rakowitz to Monica Bonvicini, contributing editor Barbara Casavecchia on the exhibitions to catch this week

BY Barbara Casavecchia |

Barbara Casavecchia on the 2019 Golden Lion-winning artist

BY Barbara Casavecchia |

The artists in ‘Time Forward!’ at the V-A-C Foundation in Venice speculate on what the future might bring

BY Barbara Casavecchia |

After an extensive restoration, the lavish palazzo hosts Peter Bartoš, Jimmie Durham and Henrik Håkansson

BY Barbara Casavecchia |

Renato Leotta employs moonlight, waves, dry-stone walls and ‘southern thought’ in order to ‘slow down time’

BY Barbara Casavecchia |

Curated by Paola Antonelli, ‘Broken Nature’ offers a few rays of hope amid environmental disaster

BY Barbara Casavecchia |

At Galleria Massimo Minini, Brescia, the artist explores technical virtuosity and trompe l’oeil through bronze-branches on fire, fake mirrors and floating candles

BY Barbara Casavecchia |