At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
Carson Chan is director of the Emilio Ambasz Institute for the Joint Study of the Built and Natural Environment, and a curator in the Department of Architecture and Design, Museum of Modern Art, New York, USA.
Art and the climate share a crucial trait – rapid change. Carson Chan explores how a theory of ‘liquid modernity’ has made new waves in art and asks: What if art institutions acted like water?