J
Contributor
Jennifer Allen

Jennifer Allen is a writer and critic based in Berlin.

Painting, poetry and measuring movement

BY Jennifer Allen |

Kunstbibliothek – Staatliche Museen zu Berlin

BY Jennifer Allen |

On limousines, road trips and mobility

BY Jennifer Allen |

Should difference be hidden or visible?

BY Jennifer Allen |

Do we live in a time of ‘patho-politics’?

BY Jennifer Allen |

Looking back at John Berger’s G. and Ways of Seeing, published 40 years ago

BY Jennifer Allen |

Spectatorship, fatigue and addiction

BY Jennifer Allen |

On Abstraction and Destruction

BY Jennifer Allen |

documenta 13 – Review

BY Jennifer Allen |

Anselm Reyle on his collaboration with Franz West on their exhibition Stolen Fantasy which took place last spring at the Schinkel Pavillon

in Berlin

BY Jennifer Allen |

So far, documenta 13 has been defined by the personality of its artistic director Carolyn Christov-Bakargiev. And that is a tragedy for the art and the artists, whose names were finally released yesterday. What has been described as one of the most exceptional exhibitions in the world – in a painstakingly careful and strikingly intelligent way by Christov-Bakargiev herself – has been overshadowed by antics.

BY Jennifer Allen |

So far, documenta 13 has been defined by the personality of its artistic director Carolyn Christov-Bakargiev. And that is a tragedy for the art and the artists, whose names were finally released yesterday. What has been described as one of the most exceptional exhibitions in the world – in a painstakingly careful and strikingly intelligent way by Christov-Bakargiev herself – has been overshadowed by antics.

BY Jennifer Allen |

Art and the Cold Civil War

BY Jennifer Allen |

Welcome to the frieze d/e blog! We are happy to be up and running in time for our summer issue, which came out June 1 with lots of goodies: from Michael Riedel’s take on digital dandies to statements by documenta directors, from the past and the near future.

BY Jennifer Allen |

Ahead of dOCUMENTA (13), reflections on the exhibition by its previous curators

BY Jennifer Allen |

The changing appearance of money

BY Jennifer Allen |

Ulrike Ottinger’s films fuse the genres of fantasy and documentary. Yet the origins of this fusion lie in another medium: painting

BY Jennifer Allen |

To mark the Gerhard Richter retrospective at Berlin’s Neue Nationalgalerie, frieze d/e spoke with Hal Foster about the painter’s take on light, Pop and politics

BY Jennifer Allen |

What are the economics involved when artists have children?

BY Jennifer Allen |