Contributor
Mariana Fernández

Mariana Fernández is a writer and curator based in New York, USA.

From Haegue Yang’s paper works to Cristóbal Gracia’s baroque pearl, here’s what not to miss in Mexico City this February

BY Mariana Fernández |

A show at the Museo Universitario de Arte Contemporáneo, Mexico City, conjures the spectral presences behind cinematic artifice

BY Mariana Fernández |

At Kasmin, New York, the artist’s anthropomorphic vases underline the cultural value of ceramics

BY Mariana Fernández |

From Varda Caivano’s tiny metallic abstractions at LABOR to Tania Candiani’s ode to the capital’s dance halls

BY Mariana Fernández |

In a live commission and a new video work at CARA, New York, the artist complicates embodied histories of racialization, violence and resistance

BY Mariana Fernández |

The first major US survey of the artist’s work at the Center for Curatorial Studies, Bard College, is a joyful display of her syncretic ways of making

BY Mariana Fernández |

The artist’s new installation at Green-Wood Cemetery in New York explores loss, death and rebirth through motherhood

BY Mariana Fernández |

The duo’s solo exhibition at the New Museum, New York, shows multiple facets of Brazilian identity

BY Mariana Fernández |

From a sweeping Robert Colescott survey at the New Museum to an exhibition of drawings by Luchita Hurtado at Hauser & Wirth Southampton, these are the must-see shows in New York after the Armory Show

BY Mariana Fernández |

The artist’s survey at the Japan Society, New York, foregrounds the body, labour and process

BY Mariana Fernández |

At El Museo del Barrio, New York, a survey of its founder reveals the artist’s commitment to making by unmaking

BY Mariana Fernández |