At Galerie Karin Günther, Hamburg, the artist’s minimal works embrace a phenomenological approach to artmaking

At Fitzpatrick Gallery, Paris, the artist's overdue retrospective underlies humanity’s compulsive attraction to its technological creations

At CAPC musée d'art contemporain de Bordeaux, the artist’s wooden works commemorate the links between the region’s wine industry and its colonial history

For her exhibition at Balice Hertling, the artist gives new life and meaning to items found discarded on the streets of Paris

For her solo exhibition at Triangle – Astérides, Marseille, the Algerian artist has given gallery-goers full access to approximately 5000 of her personal possessions drawing stark contrasts between the movement of goods and people

At CRAC Alsace, the artist’s site-specific video installation envisages the collapse of the EU, exploring murky tax systems and the processes of alienation

In ‘Bronzed from Silver’ at Sans Titre (2016), Paris, the artist’s hybrid metal works explores how the body serves as a tool for cultural identification

The artist’s immersive laser opera at High Art, Paris, imagines a world without hope

This year’s edition of the nomadic biennial highlights Marseille’s vibrant art scene while simultaneously looking at historical international power relationships

The artist’s exhibition at Galerie Imane Farès, Paris, shows the multiple faces of resistance

After three months of closed galleries and museums, exhibitions in the French capital are open again and Oriane Durand picks the best shows to see

The curator, author and director of Dortmunder Kunstverein reflects on a year of shows dealing in magic and mythologies