Advertisement

Features

Renato Leotta employs moonlight, waves, dry-stone walls and ‘southern thought’ in order to ‘slow down time’

By Barbara Casavecchia
Natascha Süder Happelmann (right) and her spokeswoman Helene Duldung (left), in front of the Federal Foreign Office, Berlin, 2018. Photograph: Jasper Kettner

Can Natascha Süder Happelmann succeed in doing away with national ‘representation’ altogether?

By Ben Mauk

Artists Barby Asante, Libita Clayton and Ashley Holmes are reimagining what it means to go back home

By Kadish Morris

The artist’s meticulous renderings of oceans, deserts and night skies capture shared human insignificance

By Sarah Manguso
Janiva Ellis, Co-Panicing, 2017, oil on canvas, 76 × 57 cm.  Courtesy: the artist and 47 Canal, New York; photograph: Joerg Lohse

In Ellis’s paintings – on view at the Whitney Biennial – the collective and individual histories of trauma coil alongside the levity that allows for that trauma to be survived

By Andrew Durbin
Luca Frei, Design for Pillows, 2017, gouache, pencil and collage on foamcore, 100 × 70 × 3 cm. Courtesy: the artist and Galerie Barbara Wien, Berlin; photograph: Karl Isakson

On the centenary of its founding in Weimar, ‘bauhaus imaginista’, which takes place in eleven countries, revisits the Bauhaus with an eye to global experiments in radical artistic pedagogy

By Pablo Larios

A new series of sculptures is inspired by the Book of Genesis

By Caoimhín Mac Giolla Léith

As the world tips towards more reactionary and fascistic regimes, what does it mean to call for artistic freedoms that implicitly reproduce oppression?

By Multiple Authors

The Hong Kong-born artist showcases the darkly comic potential of cartoon visuals

By Harry Thorne

These specially commissioned photographs capture an ever-changing city through portraits of friends 

By Oto Gilen

Tanning gives full expression to her childhood imagination and its innately eclectic catalogue of fears, fantasies and domestic psychodramas

By Claire-Louise Bennett

Materialism, metaphysics and mysticism collide in the Shanghai-based artist’s maximalist installations

By Gary Zhexi Zhang

Video

Sponsored Content - 22 May 2019

The sculptor’s latest work, STAND (2019) is an addition to the civic space surrounding the Philadelphia Museum of Art

LIFEWTR lounge at Frieze New York 2019

Sponsored Content - 17 May 2019

‘If we can touch one more person through what artists are doing with that medium, that’s incredibly important’ 

On View