Frieze New York

Pierre Huyghe, L'Expédition Scintillante, Acte 2, Untitled (Light Box), 2002, smoke and light system, sound, 2 x 2 x 1.6 m. Courtesy: the artist and Marian Goodman Gallery

Solo booths at Frieze New York 2018 see galleries showcase the most exciting and influential artists in the world today

Multipage
Kapwani Kiwanga, Flowers for Africa: Tunisia, 2015, protocol of assembly and display to guide the reconstruction of a floral arrangement consisting of cut flowers, dimensions variable. Courtesy: the artist and Galerie Jérôme Poggi, Paris. Collection of th

Hallie Ringle of the Studio Museum looks forward to the debut Frieze Artist Award at Frieze New York 2018

By Hallie Ringle
Loring Randolph. Portrait: Bobby Doherty. Courtesy: Bobby Doherty/Frieze

Loring Randolph explains how a decade’s experience as a gallerist in New York informs her vision for Frieze

By Loring Randolph
Jaune Quick-to-See Smith, I See Red: Indian Hand, 1992. Mixed media on canvas, 183 x 183 cm. Courtesy: the artist and Garth Greenan Gallery, New York

Rocío Aranda-Alvarado anticipates an insightful grouping of American painters at Frieze New York 2018

By Rocío Aranda-Alvarado
Zoe Leonard, Untitled, 1989/2008, gelatin silver print, 47 × 33 cm. Courtesy: the artist and Galleria Raffaella Cortese, Milan

Works by Martha Wilson and Zoe Leonard at Frieze New York 2018 excite the Guggenheim’s Nancy Spector

By Nancy Spector
Kemang Wa Lehulere, Matric 2015, 2018. Salvaged school desks (wood), piano hammers, shoelaces, glass bottles, sand, paper, ribbon. Dimensions variable. Courtesy: the artist and Stevenson, Cape Town

Creative Time’s Elvira Dyangani Ose looks forward to the work of Kemang Wa Lehulere at Frieze New York

By Elvira Dyangani Ose
Rosemary Laing, Rose of Australia, 2017. Archival pigment print, 100 x 200 cm. Courtesy: Galerie Lelong & Co., New York © Rosemary Laing

Brooklyn Museum’s Catherine Morris discusses two galleries’ approaches to social issues at Frieze New York

By Catherine Morris
Virginia Jaramillo with the work selected for the Frieze Brooklyn Museum Fund, Untitled (1971)

The LIFEWTR Fund will support the acquisition of a significant work for the Brooklyn Museum

The program takes a literary turn with a focus on some of today’s most searching writers

Tom of Finland, Untitled (Preparatory Drawing), 1989. Graphite on paper, 21 x 30cm. Courtesy of David Kordansky Gallery, Los Angeles

The Matthew Higgs-curated section sees galleries pay homage to a colleague who championed the uncategorizable

‘Music’ excerpt from Lunch Poems by Frank O’Hara. Used by permission of City Lights Books. Photography: Clément Pascal

The fair returns to New York for 2018 – for discounts on prices and guaranteed entry, buy now  

Kapwani Kiwanga, 2016. Photo: Bertille Chérot

The artist is recipient of the fair’s inaugural Frieze Artist Award, supported by Luma Foundation 

Video

Sponsored Content - 10 Jul 2019

‘I see something I recognize somehow, and I make a picture’

Frieze Academy - 02 Jul 2019

Take a closer look at what a Frieze Academy Workshop involves, with highlights and insights from attendees and speakers of our ‘How to… Curate an Exhibition’ Workshop.

On View