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Opinion

Criticisms of impact are missing the project’s power to change behaviour, argues collaborator and geologist Minik Rosing

By Hettie Judah

Michael Muhammad Knight’s is not just a good book of religious scholarship, but a strange, delightful memoir

By Shiv Kotecha

Debates around restitution are breaking with increasing force against the doors of Europe’s treasure chambers; a new report may prove decisive

By Sean O’Toole

Why the yellow high-visibility vest is a paradoxical symbol for the protest movement roiling France

By Will Wiles

Formerly the Royal Museum for Central Africa, the museum was originally conceived as a showcase for King Leopold II’s personal property: the Congo

By Ellen Mara De Wachter

The New York department store honours a longstanding relationship between contemporary art and window dressing

By Glenn Adamson

‘At the moment it is fashionable to show female artists; we have to make the most of it’

By Lisa Panting and Malin Ståhl

Two London exhibitions by belit sağ address police and military violence committed against Kurdish people in Turkey

By Hettie Judah

‘Others my age with lesser work who were men were being celebrated and collected’

By Lynn Hershman Leeson

It’s possible to think of the director as a troll first and serious director second – this is understandable, but regrettable

By Vadim Rizov

Kino Classics’s new release attempts to redress a story of cinema centred on white male accomplishment

By Nick Pinkerton

‘If you’re a woman you learn to live with a certain level of discomfort’

By Julia Peyton-Jones

Video

Frieze Fairs - 14 Dec 2018

The Frieze Projects artist takes us on a tour of LA mysticism

frieze video - 14 Dec 2018

‘Maybe speaking about it will free me, and maybe this means I can get rid of it’

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