Picture Piece

In a pastoral Welsh landscape where poets once gathered, the Royal Air Force now trains pilots in warfare

By David Birkin

An exhibition at the Bard Graduate Center tracks women’s contributions to the industry, as styles shifted ‘from frivolous to functional’ 

By Hannah Stamler

The Drawing Center, in New York, presents a historically and formally diverse collection of works by incarcerated artists

By Chris Wiley

Why is female fear often conflated with desire?

By Mimi Chu

Juliet Jacques profiles the photographer Lisetta Carmi who sensitively documented the lives of her friends

By Juliet Jacques

Sofonisba Anguissola’s ‘Self-Portrait with Bernardino Campi’ literally and metonymically reveals the hand of the artist

By George Upton

In a special photo essay, the artist places her body ‘in the line of danger, admiration, rejection, description’

By Collier Schorr

The movement that is traditionally understood as white and privileged was more racially mixed than is commonly accepted

By Rianna Jade Parker

Was there anything the Renaissance freewheeler couldn’t do?

By Amy Sherlock
Isaac Levitan, Spring, High Water, 1897, oil on canvas, 64 × 57 cm. Courtesy: Tretyakov Gallery, Moscow

The influence of Isaac Levitan’s 1897 painting Spring, High Water on 20th-century film

By Tom Jeffreys

Our lives – like menus – are an assortment of so-called ‘choices’

By Lynne Tillman

The Swiss photographer, who died this week, is remembered for his candid pictures of ordinary people

Video

Frieze Fairs - 18 May 2020

Himali Singh Soin's Frieze Artist Award 2019 commission explores urgent questions about environment, history and myth

Frieze Fairs - 15 May 2020

The artist, featured in the Diálogos section of Frieze Viewing Room, speaks to Rodrigo Moura, Chief Curator of El Museo del Barrio