Picture Piece

The Drawing Center, in New York, presents a historically and formally diverse collection of works by incarcerated artists

By Chris Wiley

Why is female fear often conflated with desire?

By Mimi Chu

Juliet Jacques profiles the photographer Lisetta Carmi who sensitively documented the lives of her friends

By Juliet Jacques

Sofonisba Anguissola’s ‘Self-Portrait with Bernardino Campi’ literally and metonymically reveals the hand of the artist

By George Upton

In a special photo essay, the artist places her body ‘in the line of danger, admiration, rejection, description’

By Collier Schorr

The movement that is traditionally understood as white and privileged was more racially mixed than is commonly accepted

By Rianna Jade Parker

Was there anything the Renaissance freewheeler couldn’t do?

By Amy Sherlock
Isaac Levitan, Spring, High Water, 1897, oil on canvas, 64 × 57 cm. Courtesy: Tretyakov Gallery, Moscow

The influence of Isaac Levitan’s 1897 painting Spring, High Water on 20th-century film

By Tom Jeffreys

Our lives – like menus – are an assortment of so-called ‘choices’

By Lynne Tillman

The Swiss photographer, who died this week, is remembered for his candid pictures of ordinary people

In an age of image saturation and climate change, photographs of destruction no longer affect us the way they once did

By Mary Huber

‘I could sit among the velvet blackness forever’

By Gabriella Pounds

Video

Sponsored Content - 13 Nov 2019

An insight into the 2019-20 Serpentine Digital Commissions

12 Nov 2019

‘I try to break my own rules‘

On View