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Reviews

Challenging films and installations were highlights at one of Asia’s most important festivals

By Neil Young

Paul B. Preciado’s norm-defining show at WKV Stuttgart lays the groundwork for a crip-theoretical re-evaluation of art history

By Saim Demircan

Most works carry a subtle political charge that amounts to a thoughtful critique of the injustice of our times

By Evan Moffitt

A new exhibition at Birmingham’s Ikon Gallery feels at once reminiscent and foreboding

By Aurella Yussuf

An exhibition at Index, Stockholm, fuses activism, queer performance and pop music

By Frida Sandström

At Goldsmiths CCA, the group’s darkly comic grotesqueries reflect an unsettling age  

By Patrick Langley

More than 80 works from four decades mine the tension between beauty and horror

By Hili Perlson
Tony Conrad performing Bowed Film, 1974. Courtesy: The Institute of Contemporary Art, Philadelphia

With wit and gumption, the late artist broke with institutional proprietaries and pedigree to rethink art’s place in its community

By Shiv Kotecha

An epochal exhibition of the Ghanaian artist – the last curated by Okwui Enwezor – gives the Munich institution a new face

By Jane Ure-Smith

Two concurrent exhibitions in London use mark-making as a way to get at something beyond what we see

By Harry Thorne

Curated by Charlie Porter, ‘Palimpsest’ turns the attention back on the history of the neo-gothic estate

By Mimi Chu

Christine Wunnicke’s book, The Fox and Dr. Shimamura, is a narrative of Japanese modernity spoken through divine foxes and a psychiatrist’s misfortune

By Amy Sherlock

Video

LIFEWTR lounge at Frieze New York 2019

Sponsored Content - 17 May 2019

‘If we can touch one more person through what artists are doing with that medium, that’s incredibly important’ 

Zach Lieberman, Another Copy 6 (still)

Sponsored Content - 06 May 2019

Presented in the LIFEWTR Lounge at Frieze New York 2019, from the Series ‘Art through Technology’

On View