A response to the late Greek artist’s survey at Fondazione Prada, Venice
The first in our series of reports from the 2019 Venice Biennale: the National Pavilions in the Giardini
Marysia Lewandowska unearthed a collection of photographs while searching the Venice Archives, ahead of her display at this year’s Biennale
The queer cyberfeminist pioneer’s Taiwan Pavilion in Venice explores surveillance, pleasure and control
Can Natascha Süder Happelmann succeed in doing away with national ‘representation’ altogether?
Ahead of representing Canada at the 58th Venice Biennale, the director discusses his 30-year career making films about Inuit life
To address the ‘interesting times’ alluded to in the title of the 58th Venice Biennale, we must challenge the language we use to describe them
The artist represents the US at this year’s Venice Biennale
Barbara Casavecchia talks to the show’s curator, Milovan Farronato
Can Ralph Rugoff’s ‘May You Live in Interesting Times’ exhibition address histories of narrow nationalism, fascism, and empire head-on?
Q: What do you like the look of? A: A clear bright sky in the morning
Artists Ane Graff, Ingela Ihrman and nabbteeri will test the fraught relationship between human and non-human species
Himali Singh Soin's Frieze Artist Award 2019 commission explores urgent questions about environment, history and myth
The artist, featured in the Diálogos section of Frieze Viewing Room, speaks to Rodrigo Moura, Chief Curator of El Museo del Barrio