Editorial

A crop of Hollywood ‘grifter’ films reflect growing pessimism about the state of capitalism 

By Lewis Gordon

Latest Articles

The inspired demonstrations include singing, dancing, poetry readings, impromptu exhibitions and a monumental fluorescent light sculpture

By Skye Arundhati Thomas

A major retrospective at Dresden’s Albertinum sheds new light on the artist’s relationship with his hometown

By Sarah James

The artist’s show at Tramps, New York, asks if we’re too eager for young artists to self-destruct

By Diana Hamilton

Paywalls are going up everywhere, intellectual property is being jealously hoarded, and the long-predicted streaming wars are finally on

By Tom Morton

Collezione Maramotti, Reggio Emilia, exhibits the painter’s postmodernist appropriation of philosophical and historical narratives

By Ana Vukadin

Two exhibitions, at the Getty Center in Los Angeles and the Art Institute of Chicago, revisit the radical printmaker’s legacy in the social media age

By ​Joseph Henry

A retrospective at Museum of Contemporary Art Tokyo struggles to convey the collective’s energy and impact 

By Andrew Maerkle

‘An Apartment on Uranus’ is about horizons, possibilities, love, desire and alternate spaces of gender-dwelling, written in a time, as the foreword puts it, ‘that has not yet arrived’

By Bryony White

Or, why the Gulf conflicts never really went away

By Melissa Gronlund

How the recently restored Abraham’s Farewell to Ishmael, on view at the Pérez Art Museum, Miami, speaks to the Israeli-Palestinian conflict

By Monica Uszerowicz

A recent show at London’s Cecilia Brunson Projects allowed the late artist to speak for himself

By ​Rebecca Jagoe

At Marta Cervera, Madrid, the artist conjures up survival mechanisms and congealed debris

By Lorena Muñoz-Alonso

At Matthew Marks, New York, the artist’s enigmatic marbles and projections perform a subtle excavation of the gallery’s architecture 

By Travis Diehl

An out lesbian in the 1920s, Morris threw parties with the Bloomsbury Set and smoked opium with Jean Cocteau – but her story has largely been forgotten

By Francesca Wade

The artist’s first exhibition at DREI, Cologne, reflects on the social implications of everyday objects and the permanent switching between self and role

By Moritz Scheper

Highlights from the collaborative exhibition by 36 galleries across 17 spaces, which opens this weekend

By Sophie Ruigrok

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25-year old designer Reece Yeboah on the ‘crazy journey’ of his label, Saint London

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