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Restitution is critical but we can’t let the process be co-opted by those who seek to evade responsibility for Europe’s pillaging past

By Jess Saxby

Latest Articles

‘Keep It Complex’, a group of artists and designers, have launched a campaign to encourage voting, and hold the art world accountable

By Ellen Mara De Wachter

In further news: Italian scholar claims to have found Leonardo’s only sculpture; Tracey Emin plans her museum

By Frieze News Desk

The retrospective at Tate Britain of the veteran photographer is filled with masterpieces that are also crime scenes

By Darran Anderson

How an art magazine morphed into an international event

By Jonathan Griffin

Narrative is often the conduit for racist ideology, particularly in a Hollywood that favours ‘feel good’ narratives of black life; avoiding it alto

By Jacolby Satterwhite

Two new performance videos shown at Reena Spaulings Fine Art, New York, reflect on the increasing entanglement of finance and real estate

By Kari Rittenbach

In the age of #MeToo, does the recent proliferation of films and TV shows about serial murderers hint at a troubling resurgence of sociopathic masc

By Masha Tupitsyn

In further news: Venice introduces tourist tax ahead of biennale; Jeff Koons embraces automation

By Frieze News Desk

‘This is the passing of time visualized through a contrapuntal freezing of it’

By Harry Thorne

‘Every Wednesday, we would drink and watch Italian masterpieces – Fellini, Pasolini, Visconti – without subtitles’

By Sohrab Mohebbi

‘Burdekin was a feminist, speculative, dystopian writer of essential texts’

By Dominique Gonzalez-Foerster

‘It would be easy to cry to this tune, but difficult to dance to it’

By Patrick Langley

‘Her strange, thinking surfaces have become the artworks I think about the most’

By Quinn Latimer

The multimedia art ‘experience’-cum-independent Soviet state recruited a cast of 400 to live on an enormous film set for years

By Wilson Tarbox

An exhibition at Kunstverein, Amsterdam, revisits how the artist linked the nihilism of politics in the 1970s with a suitably absurdist aesthetic

By Carina Bukuts

‘At the first site, the freedom of the United States of America is honoured; at the second, the history of its immigrants is conserved’

By Carina Bukuts

Video

Frieze Fairs - 17 Feb 2019

Curator Ali Subotnick talks about the Frieze Projects program installed across the backlot at Frieze Los Angeles

Frieze Fairs - 15 Feb 2019

Artist Dave Muller on his mural on the booth walls with Blum & Poe

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