Back: Max Hooper Scheider, Hybrid Kugelhopf III, 2017; front: Mark Prent, Churn, 2017. Courtesy: High Art, Paris
Bodega, New York, USA
At New York’s Metrograph, a diverse film programme addresses a ‘central problem’ of feminist filmmaking
Lévy-Gorvy, New York, USA
Whitney Museum of American Art, New York, USA
Various venues, Paris, France
The Frieze New York 2018 campaign — excerpts of which are displayed across this page — maps the poet and curator’s Lunch Poems
Why can’t New York get over its ‘bad old days’?
Palais de Tokyo, Paris, France
Tanya Bonakdar Gallery, New York, USA
Why do we love to watch people who can’t act?
Various venues, New York, USA
At once stagnant and dynamic, politically tense and blissfully buoyant, the French capital was a strange place to be living this year