Harun Farocki, 2009 © Markus J. Feger
The first of a new series that sees regular frieze contributors choose the best current exhibitions from their city
What do drones see? And how can we see them?
As a director, film critic and teacher, Harun Farocki has analyzed the changing role of the moving image for more than 40 years
Neuer Berliner Kunstverein, Germany
In an ongoing series, frieze asks artists and filmmakers to list the movies that have influenced their practice
Westfalischer Kunstverein/ Filmclub Munster, Munster, Germany