Max Ernst, The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisons grivelés et les échinodermes courbants l'échine pour quêter des caresses), c. 1921. The Museum of Modern Art, New York. Purchase, 1937. © 2017 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Robert Gerhardt
Bodega, New York, USA
At New York’s Metrograph, a diverse film programme addresses a ‘central problem’ of feminist filmmaking
Lévy-Gorvy, New York, USA
Whitney Museum of American Art, New York, USA
The Frieze New York 2018 campaign — excerpts of which are displayed across this page — maps the poet and curator’s Lunch Poems
Why can’t New York get over its ‘bad old days’?
Tanya Bonakdar Gallery, New York, USA
Why do we love to watch people who can’t act?
Various venues, New York, USA
Jack Shainman Gallery, New York, USA
Margaret Lee thanks those who have helped her gain a deeper understanding of how to be more empathetic in difficult times
More from today’s Briefing: protesting Raghubir Singh; documenta artists defend exhibition (again); Enrico Castellani (1930–2017)