Frieze New York

Randall's Island Park

May 3–6, 2018

Fair News

Rosemary Laing, Rose of Australia, 2017. Archival pigment print, 100 x 200 cm. Courtesy: Galerie Lelong & Co., New York © Rosemary Laing

Brooklyn Museum’s Catherine Morris discusses two galleries’ approaches to social issues at Frieze New York

‘Music’ excerpt from Lunch Poems by Frank O’Hara. Used by permission of City Lights Books. Photography: Clément Pascal

Buy now to guarantee entry and save

Loring Randolph. Portrait: Bobby Doherty. Courtesy: Bobby Doherty/Frieze

Loring Randolph explains how a decade’s experience as a gallerist in New York informs her vision for Frieze

Kapwani Kiwanga, 2016. Photo: Bertille Chérot

The artist is recipient of the fair’s inaugural Frieze Artist Award, supported by Luma Foundation 

Virginia Jaramillo with the work selected for the Frieze Brooklyn Museum Fund, Untitled (1971)

The LIFEWTR Fund will support the acquisition of a significant work for the Brooklyn Museum

The program takes a literary turn with a focus on some of today’s most searching writers

Frieze New York 2018 Restaurants

Visit pop-ups of New York's most talked-about restaurants at the fair

Kemang Wa Lehulere, Matric 2015, 2018. Salvaged school desks (wood), piano hammers, shoelaces, glass bottles, sand, paper, ribbon. Dimensions variable. Courtesy: the artist and Stevenson, Cape Town

Creative Time’s Elvira Dyangani Ose looks forward to the work of Kemang Wa Lehuere at Frieze New York

‘An exciting new dimension’ to the city’s cultural scene premieres February 2019

Tom of Finland, Untitled (Preparatory Drawing), 1989. Graphite on paper, 21 x 30cm. Courtesy of David Kordansky Gallery, Los Angeles

The Matthew Higgs-curated section sees galleries pay homage to a colleague who championed the uncategorizable

Hank Willis Thomas, Pledge (detail), 2018. Screenprint on retroreflective vinyl, mounted on Dibond, 192 x 246cm. Courtesy: the artist and Jack Shainman Gallery, New York

Renée Green, Alfredo Jaar, Lara Schnitger and Hank Willis Thomas explore protest and collectivity in Frieze New York’s new Live section

Campaign displayed in Broadway Windows, 80WSE Gallery. Photograph courtesy: Clément Pascal/Frieze. Frieze New York 2018 Campaign: Excerpt from Lunch Poems by Frank O’Hara. Used by permission of City Lights Books. Photography: Clément Pascal

The Frieze New York 2018 campaign maps the poet and curator’s Lunch Poems

Latest Frieze New York

Rosemary Laing, Rose of Australia, 2017. Archival pigment print, 100 x 200 cm. Courtesy: Galerie Lelong & Co., New York © Rosemary Laing

Brooklyn Museum’s Catherine Morris discusses two galleries’ approaches to social issues at Frieze New York

‘Music’ excerpt from Lunch Poems by Frank O’Hara. Used by permission of City Lights Books. Photography: Clément Pascal

Buy now to guarantee entry and save

Loring Randolph. Portrait: Bobby Doherty. Courtesy: Bobby Doherty/Frieze

Loring Randolph explains how a decade’s experience as a gallerist in New York informs her vision for Frieze

Kapwani Kiwanga, 2016. Photo: Bertille Chérot

The artist is recipient of the fair’s inaugural Frieze Artist Award, supported by Luma Foundation 

Virginia Jaramillo with the work selected for the Frieze Brooklyn Museum Fund, Untitled (1971)

The LIFEWTR Fund will support the acquisition of a significant work for the Brooklyn Museum

The program takes a literary turn with a focus on some of today’s most searching writers

Frieze New York 2018 Restaurants

Visit pop-ups of New York's most talked-about restaurants at the fair

Kemang Wa Lehulere, Matric 2015, 2018. Salvaged school desks (wood), piano hammers, shoelaces, glass bottles, sand, paper, ribbon. Dimensions variable. Courtesy: the artist and Stevenson, Cape Town

Creative Time’s Elvira Dyangani Ose looks forward to the work of Kemang Wa Lehuere at Frieze New York

‘An exciting new dimension’ to the city’s cultural scene premieres February 2019

Tom of Finland, Untitled (Preparatory Drawing), 1989. Graphite on paper, 21 x 30cm. Courtesy of David Kordansky Gallery, Los Angeles

The Matthew Higgs-curated section sees galleries pay homage to a colleague who championed the uncategorizable

Hank Willis Thomas, Pledge (detail), 2018. Screenprint on retroreflective vinyl, mounted on Dibond, 192 x 246cm. Courtesy: the artist and Jack Shainman Gallery, New York

Renée Green, Alfredo Jaar, Lara Schnitger and Hank Willis Thomas explore protest and collectivity in Frieze New York’s new Live section

Campaign displayed in Broadway Windows, 80WSE Gallery. Photograph courtesy: Clément Pascal/Frieze. Frieze New York 2018 Campaign: Excerpt from Lunch Poems by Frank O’Hara. Used by permission of City Lights Books. Photography: Clément Pascal

The Frieze New York 2018 campaign maps the poet and curator’s Lunch Poems