Frieze New York

Randall's Island Park

May 5 – 7, 2017

Discover the world's leading contemporary and modern galleries

View and buy art from more than 1,000 of today’s leading artists and experience a curated program of talks and site-specific artist commissions

Tickets for Frieze New York 2017 start at $10

Giosetta Fioroni, prepatory drawing for La Spia Ottica ('The Optical Spy'), 1968. Courtesy: © Giosetta Fioroni, by SIAE 2014

Frieze Art Fair Video - 25 Apr 2017

The Italian artist discusses her career and her formance La Spia Ottica, recreated at Frieze Projects New York 2017

Latest Frieze New York

Giosetta Fioroni, prepatory drawing for La Spia Ottica ('The Optical Spy'), 1968. Courtesy: © Giosetta Fioroni, by SIAE 2014

The Italian artist discusses her career and her 1968 performance, which is being recreated at Frieze New York 2017

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Giuseppe Penone, Palpebra (Eyelid, 1990 (detail), mixed media, 135 × 363 cm. Courtesy: Cardi Gallery, Milan

Fair exhibitors discuss exceptional pieces they will show at Frieze New York 2017

Multipage
Ryan McNamara, Battleground, 2016, performance still, 60 min. Courtesy of the artist

Artist commissions by Dora Budor, Elaine Cameron-Weir, Giosetta Fioroni, Fabio Mauri, Ryan McNamara, Adam Pendleton and Jon Rafman

Ambitious presentations and new commissions by today’s most significant international artists

Felipe Jesus Consalvos, Hippodrome (detail), c.1920–50, collage on foam board, 82 x 55cm. Courtesy: Doodletown Farm, LLC and Fleisher/Ollman, Philadelphia. Photograph: Constance Mensh

From 'hippie modernism' to concrete poetry, Toby Kamps discusses Spotlight at Frieze New York 2017

 

Courtesy of Matvel Vision.

Returning to Randall's Island from May 5-7; featuring exceptional contemporary and 20th-century work

Exhibition view, Mercurio frente al Sol (‘Mercury in front of the Sun’) at Instituto de Visión, Bogotá, 2016. Courtesy: the artist and Instituto de Visión, Bogotá

Multigenerational galleries, pioneering patrons and institutional leaders mean attention is turning more than ever to art from Latin America

Claudia Rankine

Exploring agency, politics and perspective

Daniel J. Martinez, Museum Tags: Second Movement (Overture) or Overture con Claque—Overture with Hired Audience Members, 1993. Courtesy: Courtesy Robert Berman Gallery, Santa Monica

The evolution of the Whitney Biennial, an American institution

Alfredo Jaar, Be Afraid of the Enormity of the Possible, 2015 , neon, 121 x 183 cm. Courtesy: Galerie Lelong, New York. © Alfredo Jaar

Leading curators select some stand-out presentations at Frieze New York 2017

 

Marie Orensanz, Limitada, 1978, photograph, 50 x 35 cm. Courtesy: the artist

To preview “Pacific Standard Time: LA/LA”, Frieze presents a symposium in collaboration with the Getty and the Institute of Fine Arts, NYU