frieze d/e

Issue 24

Summer 2016

The latest issue of frieze d/e is out now with an essay by Ana Teixeira Pinto on the digitalization of domestic space and an interview with award-winning theatre director Milo Rau; plus, features on Ull Hohn, Heidi Specker, Clemens von Wedemeyer and the German Pavilion at the Venice Architecture Biennale 2016.

Also featuring: Hans-Jürgen Hafner encounters conceptual cool and sensuality in the works of late painter Ull Hohn; Bert Rebhandl examines battles between points of view in the films and installations of Clemens von Wedemeyer; Kito Nedo takes a closer look at photographer Heidi Specker's very own take on portraiture; and frieze d/e editor Dominikus Müller talks to award-winning theater director Milo Rau about responsibility, empathy and "meta-slavery."

On art, architecture, and domestic effects of digitalization

Clemens von Wedemeyer's films and installations and their battles with points of view 

Villa Stuck, Munich / Kunstmuseum Stuttgart, Germany

Michaela Melián, Electric Ladyland, 2016 (Ausschnitt). Courtesy Artist, VG-Bildkunst Bonn 2016. 

Lenbachhaus, Munich, Germany

The German Pavillon at the Venice Architecture Biennale 2016, and the push to build homes for refugees

In Focus: Raphaela Vogel

Risk Assessment

The photographer Heidi Specker and her take on portraiture

A look back at Hamburg's Akademie Isotrop with Hans-Christian Dany, Abel Auer interviewed by Nick Currie and Birgit Megerle

ZKM, Karlsruhe, Germany

Choose a single object of special significance from your working or living environment

Arratia Beer, Berlin