Issue 24
Summer 2016

The latest issue of frieze d/e is out now with an essay by Ana Teixeira Pinto on the digitalization of domestic space and an interview with award-winning theatre director Milo Rau; plus, features on Ull Hohn, Heidi Specker, Clemens von Wedemeyer and the German Pavilion at the Venice Architecture Biennale 2016.

Also featuring: Hans-Jürgen Hafner encounters conceptual cool and sensuality in the works of late painter Ull Hohn; Bert Rebhandl examines battles between points of view in the films and installations of Clemens von Wedemeyer; Kito Nedo takes a closer look at photographer Heidi Specker's very own take on portraiture; and frieze d/e editor Dominikus Müller talks to award-winning theater director Milo Rau about responsibility, empathy and "meta-slavery."

From this issue

On art, architecture, and domestic effects of digitalization

BY Ana Teixeira Pinto |

Clemens von Wedemeyer's films and installations and their battles with points of view 

BY Bert Rebhandl |

Villa Stuck, Munich / Kunstmuseum Stuttgart, Germany

BY Bert Rebhandl |

Lenbachhaus, Munich, Germany

BY Hanne Loreck |

The German Pavillon at the Venice Architecture Biennale 2016, and the push to build homes for refugees

BY Niklas Maak |

Duve, Berlin, Germany

BY Hannah Schraven |

In Focus: Raphaela Vogel

BY Melissa Canbaz |

The photographer Heidi Specker and her take on portraiture

BY Kito Nedo |

Millennial terrorism and the Brussels attacks: a diary 

BY Deanna Havas |

ZKM, Karlsruhe, Germany

BY Noemi Smolik |

Arratia Beer, Berlin

BY Thomas Bettridge |

Kunsthalle Bern, Germany

BY Moritz Scheper |

Choose a single object of special significance from your working or living environment

BY Sven Väth |

Sensual, haptic, with a theory-driven conceptual cool, the painting of Ull Hohn, who died in 1995, is now on view in a first mayor survey at the Kunsthalle Bern

BY Hans-Jürgen Hafner |

A conversation with theatre director Milo Rau about responsibility, empathy and 'meta-slavery'

BY Dominikus Müller |

Meyer Kainer, Vienna

BY Michael Franz |

On the films of Daniel Hoesl and the European Film Conspiracy

BY Esther Buss |

A look back at Hamburg's Akademie Isotrop with Hans-Christian Dany, Abel Auer interviewed by Nick Currie and Birgit Megerle

BY Nick Currie |

A roundup of the 12th Gallery Weekend Berlin

BY Ana Teixeira Pinto |

Kunsthalle Zurich, Germany

BY Karen Archey |

Berlin's Jewish Museum hosts a major retrospective on New York No!Art artist Boris Lurie

BY Ulrich Gutmair |

Eden Eden, Berlin, Germany

BY Pablo Larios |

Galerie Isabella Czarnowska, Berlin, Germany

BY Mark Sadler |

Secession, Vienna, Austria

BY Max Henry |

Hauser & Wirth, Zurich

BY Jörg Scheller |

Chisenhale Gallery, London, UK

BY Harry Thorne |

Kunsthaus Hamburg, Germany

BY Chloe Stead |