frieze d/e

Issue 24

Summer 2016

The latest issue of frieze d/e is out now with an essay by Ana Teixeira Pinto on the digitalization of domestic space and an interview with award-winning theatre director Milo Rau; plus, features on Ull Hohn, Heidi Specker, Clemens von Wedemeyer and the German Pavilion at the Venice Architecture Biennale 2016.

Also featuring: Hans-Jürgen Hafner encounters conceptual cool and sensuality in the works of late painter Ull Hohn; Bert Rebhandl examines battles between points of view in the films and installations of Clemens von Wedemeyer; Kito Nedo takes a closer look at photographer Heidi Specker's very own take on portraiture; and frieze d/e editor Dominikus Müller talks to award-winning theater director Milo Rau about responsibility, empathy and "meta-slavery."

On art, architecture, and domestic effects of digitalization

By Ana Teixeira Pinto

Clemens von Wedemeyer's films and installations and their battles with points of view 

By Bert Rebhandl

Villa Stuck, Munich / Kunstmuseum Stuttgart, Germany

By Bert Rebhandl
Michaela Melián, Electric Ladyland, 2016 (Ausschnitt). Courtesy Artist, VG-Bildkunst Bonn 2016. 

Lenbachhaus, Munich, Germany

By Hanne Loreck

The German Pavillon at the Venice Architecture Biennale 2016, and the push to build homes for refugees

By Niklas Maak

Duve, Berlin, Germany

By Hannah Schraven

Meyer Kainer, Vienna

By Michael Franz

Kunsthalle Zurich, Germany

By Karen Archey

Kunsthalle Bern, Germany

By Moritz Scheper

On the films of Daniel Hoesl and the European Film Conspiracy

By Esther Buss

A roundup of the 12th Gallery Weekend Berlin

By Ana Teixeira Pinto

Millennial terrorism and the Brussels attacks: a diary 

By Deanna Havas