On the occasion of a major retrospective at M HKA in Antwerp, Jimmie Durham talks to Kirsty Bell about enthusiasm, itinerancy, cities, poetry and Cherokee mythology

For more than four decades, Geta Brătescu has been a central figure in Romanian art. She writes about the images, travels and art works that have influenced her practice

Roe Ethridge’s work circulates in the worlds of fashion, commercial and art photography. Christy Lange considers his ‘chaotic inventory’.

In recent years, the work of self-taught artists has come to be contextualized within larger narratives of contemporary art. How is Outsider Art best understood and what does this definition mean when ‘inside’ and ‘outside’ become blurred? How does it relate to fraught issues of education and exclusion, originality and exploitation? Jonathan Griffin invited Robert Gober, Matthew Higgs, Paul Laffoley and David Maclagan to discuss these questions

Remembering Chris Marker

The New York-based artist talks about character, the West Coast, process and slime

Post-colonial Angola; photography as both ‘pliable fiction’ and ‘weapon of intervention and denunciation’

Coco Chanel and the Duke of Westminster

What constitutes ‘real work’ in the cultural sphere?

Interventions in Bucharest's history of state bureaucracy and brutalist architecture

Polystyrene and post-minimalism; industrial processes and the ‘skin’ of amorphous forms

Looking back at John Berger’s G. and Ways of Seeing, published 40 years ago

The life and work of the late, great experimental writer, Christine Brooke-Rose

The display of museum collections: a modest proposal

Artistic responses to the question of Palestine

Thomas Lommée’s inclusive approach to modular design

For 35 years, Ericka Beckman has been making films which combine choreographed set pieces and ‘designed camera movements’ that anticipate the work of a new generation of artists

In an ongoing series, frieze asks artists and filmmakers to list the films that have influenced them

The self-proclaimed ‘purveyors of sinister whimsy to the wretched’ are admirable, not only for a staggering level of productivity, but for being so reliably unpredictable

Annette Leddy explores how the late Fluxus member Robert Watts sought to bring the universe into the home

Presentation House Gallery, Vancouver, Canada

Exhibiting comics: the graphic novels of Daniel Clowes and his contemporaries

Conflicts in high-definition

Dear Mr Jankel...