From a group exhibition at the Museum of Contemporary Art, Chicago, examining technology’s influence on painting, to Marc Kokopeli’s reflections on objecthood
At Kunsthal Charlottenborg, the artist’s ecclesiastical paintings channel the ethereal visions of William Blake and the earthy primitivism of Paul Gauguin
At Galleria Massimo Minimi, Brescia, an intervention by Formafantasma celebrates the practice of archiving by looking at how we remember, categorize and read the past
From Vojtěch Kovařík's monumental depictions of Hercules at Mendes Wood DM, Brussels to Birke Gorm's dishevelled jute mannequins at the Museum of Applied Arts, Vienna