‘He wasn’t English, but he was playing an English game, the fag in the Establishment, a light entertainer, undisguised yet somehow unseen, an open secret’
‘A year after its release, it was still a huge dancefloor anthem and I was entering a world that would dismantle what I thought I knew about life up until that point’
Édouard Glissant's 1961 play Monsieur Toussaint reimagined as a slam battle, swerving between Haitian Creole and French (for a performance at the Ghetto Biennale)