C
Contributor
Carina Bukuts

Carina Bukuts is associate editor of frieze. She is based in Berlin, Germany.

From Angela Davis in Dresden to Dadaist antics at Zürich's Cabaret Voltaire

BY Carina Bukuts |

What’s on in Europe this fortnight: from Rosemary Mayer’s fabric sculptures in Berlin to Isaac Julien’s homage to Lina Bo Bardi in Rome

BY Carina Bukuts |

As the third edition of Various Others kicks off, Carina Bukuts selects the exhibitions not to miss

BY Carina Bukuts |

A retrospective at Taxispalais Kunsthalle, Innsbruck, shows that the artist was bold both in her combinations of typefaces and in her political statements

BY Carina Bukuts |

In an exhibition at Kunstverein München, Hill’s work from the 1960s appears prescient in its exploration of female office labour

BY Carina Bukuts |

Shannon Bool’s show at Kunstverein Braunschweig calls attention to the exoticising and objectifying vision of Le Corbusier

BY Carina Bukuts |

From Senga Nengudi’s pantyhose sculptures to Andrea Büttner’s iPhone etchings, a selection of shows not to miss

BY Carina Bukuts |

The artist’s first institutional exhibition explores her unique system of references

BY Carina Bukuts |

The photograph from the blaze at Frankfurt’s MMK exposes the fundamental task of every museum

BY Carina Bukuts |

On the occasion of her first institutional solo show in Europe, Budor talks to frieze about soundscapes and science-fiction

Spread across four German cities, this year’s ‘Ruhr Ding’ explores art in public space in a former industrial region

BY Carina Bukuts |

With Art Brussels in town, a guide to exhibitions to see in the Belgian capital

BY Carina Bukuts |

A show at Max Mayer, Düsseldorf, uses typeface to pay tribute to women artists 

BY Carina Bukuts |

An exhibition at Sammlung Scharf-Gerstenberg, Berlin, sheds new light on the artist’s fascination with ancient Egypt

BY Carina Bukuts |

An exhibition at neugerriemschneider, Berlin, explores the healing properties of sticks as a symbol for social change

BY Carina Bukuts |

An exhibition at Kunstverein, Amsterdam, revisits how the artist linked the nihilism of politics in the 1970s with a suitably absurdist aesthetic

BY Carina Bukuts |

‘At the first site, the freedom of the United States of America is honoured; at the second, the history of its immigrants is conserved’

BY Carina Bukuts |

From David Claerbout’s ‘rigged’ election to Jimmy Robert’s homage to stanley brouwn, the best shows and openings for the annual art event

BY Carina Bukuts |

At an extraordinary press conference yesterday, some key clues were given away as to what to expect from the artist at Venice

BY Carina Bukuts |