From Joan Semmel’s unflinching depiction of female sexuality to Atiéna R. Kilfa’s sharp reimagining of film noir techniques

From a collection of stories inspired by Franz Kafka to Lauren Elkin’s debut novel, the frieze team chooses its beach reads

From Julie Tolentino’s sculptural alchemy to a new survey on Käthe Kollwitz, which reintroduces the lionized artist to a new generation

From Dean Sameshima's vulnerable silhouettes to Danica Lundy's carnal paintings of the female body, here's what not to miss

From the dark world of Pierre Huyghe’s AI installations to Silvia Rosi’s vibrant portraits of personal histories

From Joan Jonas’s layered installations to Alexander Apóstol’s archetypal characters of Venezuelan society

From Yuko Mohri’s delicate musical sculptures to Kapwani Kiwanga’s brilliant beadwork which acts as a meditation on the history of global trade

From Bettina Pousttchi’s fluid documentation of urban space to Zhanna Kadyrova’s installations devised to help the war effort in Ukraine

From Koo Jeong-A’s scented pavilion to Julien Creuzet’s ‘layers of history’, here's what not to miss during this year’s Biennale 

The frieze team selects the international shows they’re most excited about during this year’s Biennale 

From Graham Little’s meditations on beauty to Marie Watt’s expansive material exploration in her first travelling retrospective

From a posthumously published book by Elias Canetti to Lauren Oyler’s latest collection of essays, the frieze team recommend the new books they’re most excited about

From Zineb Sedira’s anticolonial cinema to Danielle Brathwaite-Shirley’s immersive archives

From Jim Shaw’s hallucinatory visions to Leonard Rickhard’s modernist depictions of infrastructure and machinery, here’s what not to miss this March

From Cauleen Smith's elegiac songbook to Marcel Dzama's surreal landscapes of Canoe Lake, here's what not to miss this March

The Hammer Museum curator selects groundbreaking ceramics by Sharif Farrag and Rose B Simpson, and a painting by Roberto Gil De Montes he describes as “a delightful journey”

Los Angeles's history of set design informs Art Production Fund’s “Set Seen,” with projects by Sharif Farrag, Ryan Flores, Derek Fordjour, Pippa Garner, Matt Johnson and Cynthia Talmadge

From Paul Mpagi Sepuya's self-reflective portraiture to Jan Gatewood's anthropomorphic rabbits

From Grace Weaver's brazen female travellers at Max Hetzler, Paris, to an extensive retrospective of Emilio Prini's dematerialized practice at MACRO, Rome

From Jade Guanaro Kuriki-Olivo’s acid-green dreamscape to Pipilotti Rist’s personal utopia