Contributor
Juliet Jacques

Juliet Jacques is a writer, filmmaker, broadcaster and academic. Her most recent short story collection, The Woman in the Portrait, was published in July 2024 by Cipher Press.

 

 

At Sprüth Magers, London, the artist transforms the galleries into a labyrinthine changing room dripping with anticipation of future performances

BY Juliet Jacques |

Juliet Jacques speaks to the artist – currently the subject of ‘Introspective’, a 50-film survey at London’s ICA and Close-Up Film Centre – about humour and simplicity 

BY Juliet Jacques |

At Gasworks, London, the artist explores the possibilities that come with rejecting forms imposed by outsiders and creating our own

BY Juliet Jacques |

To coincide with an exhibition at Mimosa House, London, Juliet Jacques asks how we respond to influential but marginalized historical figures

BY Juliet Jacques |

‘Surrealism Beyond Borders’ is a comprehensive overview of one of the 20th century’s most influential movements

BY Juliet Jacques |

With the mass displacement of communities and local businesses, Dalston’s long-standing diversity has become a much hyped-up marketing ploy, but can Ridley Road Market survive this re-brand?  

BY Juliet Jacques |

Juliet Jacques reviews the writer and activist’s new book, which tackles head-on the insurgent culture war around trans liberation and condemns media misrepresentations 

BY Juliet Jacques |

Agar has been widely associated with the European avant-garde movement but, as Whitechapel Gallery’s retrospective makes clear, she sought to define no one’s image but her own

BY Juliet Jacques |

As the prestigious award announces a shortlist comprised of artist collectives, Juliet Jacques reflects on UK government funding cuts to the arts after more than a decade of austerity

BY Juliet Jacques |

The subject of retrospective at the London Short Film Festival, Videofreex’s Guerrilla TV tactics preceded the use of citizen-shot footage in contemporary media

BY Juliet Jacques |

Why the Conservatives are wrong to dismiss the British public's intelligence and imagination

BY Juliet Jacques |

Juliet Jacques examines the political motives behind the removal of works in Oslo, London and the former Yugoslavia

BY Juliet Jacques |

Performa’s online exhibition ‘Bodybuilding’ is an intriguing attempt to bring live and spatial work to the screen

BY Juliet Jacques |

In 1969, sculpture students were kept in isolation and prohibited from keeping whatever they made – an approach contested at the time and inconceivable now

BY Juliet Jacques |

Juliet Jacques speaks to the pioneering writer and theorist about her new book, ‘Reverse Cowgirl’, an ‘auto-ethnography’ of the self

BY Juliet Jacques |

Mendacious news stories, industrial farming videos and leaking pipes infiltrate London’s Serpentine Sackler Gallery

BY Juliet Jacques |

Juliet Jacques profiles the photographer Lisetta Carmi who sensitively documented the lives of her friends

BY Juliet Jacques |

The artist and psychogeographer discusses building on the protests of the past

BY Juliet Jacques |

From organizing against arts cuts to an ‘Acid Corbynist’ listening session, can Momentum’s festival of ideas foster collective hope against right-wing media and politicians?

BY Juliet Jacques |

Lawrence Abu Hamdan, Helen Cammock, Oscar Murillo and Tai Shani fill Margate’s Turner Contemporary with imagined communities and cities

BY Juliet Jacques |