K
Contributor
Krzysztof Kościuczuk

Krzysztof Kościuczuk is a writer and contributing editor of frieze. He lives between Poland and Switzerland.

At the Museum für Moderne Kunst, Frankfurt, the artist questions our unwavering faith in efficiency and development

BY Krzysztof Kościuczuk |

In his new solo show at Jan Kaps, Cologne, the artist’s eerie portraits interrogate capitalist consumption in the digital age

BY Krzysztof Kościuczuk |

At Cabaret Voltaire, Zurich, a posthumous exhibition dedicated to the artist and musician is charged with unfettered creativity

BY Krzysztof Kościuczuk |

At Bernheim, Zurich, the artist’s alter-ego, Fatebe, confidently splits herself between time zones, cities and hemispheres

BY Krzysztof Kościuczuk |

On the occasion of her solo exhibition, ‘her0’, the artist speaks about the machine realm, Romani recycling traditions and embracing the role of contemporary alchemist

BY Krzysztof Kościuczuk |

From Małgorzata Mirga-Tas’s textiles at Karma International to Roni Horn’s ‘outtakes’ at Hauser & Wirth, here is our guide to Art Basel and Zurich Art Weekend

BY Krzysztof Kościuczuk |

At the Museum of Applied Arts, Vienna, the artist’s recent works explore the politics of human production and consumption

BY Krzysztof Kościuczuk |

At Kunstmuseum Luzern, the Israeli artist draws on the Jewish tradition of storytelling to disconcerting effect

BY Krzysztof Kościuczuk |

At Kunsthalle Münster, the artist canonizes contemporary history in his riotous first institutional solo exhibition outside of Poland

BY Krzysztof Kościuczuk |

Krzysztof Kościuczuk picks the shows to see during Zurich Art Weekend and Art Basel

BY Krzysztof Kościuczuk |

Laden with scenes of sex, the artist's new paintings at Croy Nielsen, Vienna, test the border of the disturbing

BY Krzysztof Kościuczuk |

At Wschód, Warsaw, the artist uses digital tools to develop sculptures that confound scale, visual plane and function

BY Krzysztof Kościuczuk |

At Galeria Arsenal, Bialystok, the artist deploys the strategies of reappropriation and upcycling to reflect on the history and present of the Roma community in Poland

BY Krzysztof Kościuczuk |

The artist's exhibitions at galeria stereo pays tribute to Blecher's ferible dream diary The Lit-Up Burrow 

BY Krzysztof Kościuczuk |

Anders Dickson’s ‘Songs of Rain and Hobo Chili’ conjures the ephemerality of place

BY Krzysztof Kościuczuk |

Nine Warsaw spaces host 16 international galleries in this second edition of the Polish gallery share

BY Krzysztof Kościuczuk |

‘It’s a tenacious act of enthusiasm within Europe’s changing political landscape’

BY Krzysztof Kościuczuk |

At Zachęta, Warsaw, the artist argues that maps are essentially constructs: tools of knowledge production and identity politics

BY Krzysztof Kościuczuk |

The eighth edition of Poland’s premier contemporary art event saw major structural changes, but was it at the expense of standout presentations?

 

BY Krzysztof Kościuczuk |

A 50-photograph survey at the National Museum in Kraków explores past and present-day nationalism in the artist's homeland

BY Krzysztof Kościuczuk |