Five experts – curators, programmers, artists and academics – debate the changing role and visibility of artists’ moving image

On the eve of his Tate Britain survey, Ed Atkins reflects on avatars, affect and why writing remains at the core of his practice

Juliet Jacques observes the pros and cons of archives, who’s represented in them and how past prejudices shaped self-documentation

An artist whose film work revels in the futile, horrifying and absurdly humorous

Celebrating the auteur’s pioneering vision, examining her profound influence on cinema, storytelling and the art of observation

The frequent collaborators discuss sharing humorous photos, distorting 3D models and the continuous flow of exchange that fuels their creative process

The prolific filmmaker reflects on chasing abstraction, juggling multiple projects and his refusal to seek permission

The artist’s collage-like films recapture the missing subjects and bodies lost to censorship

The artist on her filmmaker father, their home teeming with creatives and her first steps into international cinema

The filmmaker discusses the research and collaboration behind creating works like The Ballad of Suzanne Césaire

In the artist’s 2024 film Oceania, queer intimacies and decolonial possibilities are depicted in luminous and contrapuntal fashion

In concurrent solo exhibitions at Spike Island, Bristol, the artists explore the representation of Black British life

At Seattle Art Museum, the artist uses redaction and erasure to reflect the ways in which language can be reborn

At his Museo Jumex survey, the artist reminds viewers of the political efficacy of games

At Kunsthalle Basel, the artist co-opts museal displays to deconstruct the division between viewer and object

At Jim Thompson Art Center, Bangkok, the French-Algerian artist asks how we might mend connections and cultivate hope 

For the inauguration of Room Room, Copenhagen, a group show dedicated to online culture questions how we relate to each other and ourselves

At Frac Île-de-France, Paris, the artist’s stagings of furniture and fruit reflect on what it means to carry home with you

At GRIMM Gallery, London, the artist depicts everyday objects to highlight the insidious presence of colonialist legacies

At Museum of Contemporary Art Tokyo, the late composer’s sound installations commingle with restagings and responses

Featuring sound machines and satellites, the artist’s show at Andrew Kreps Gallery, New York challenges the supposed neutrality of ‘white noise’

At QAGOMA, Brisbane, a steadfast commitment to plurality knits together deeply disparate works

At Galerie Noah Klink, Berlin, the artist’s works toy with the interplay of vulnerability, exploitation and scrutiny that exists within systems of safe-guarding

Spanning five decades, a show at the Museum of Contemporary Art, Chicago, traces the evolving relationship between painting and invention

In a joint exhibition at Emalin, London, the artists’ films and photographs attest to the impact of state censorship and regulation

It may be a fool’s errand to mount an exhibition devoted to this conceptual artist – but New York’s Artists Space (mostly) pulls it off

In an immersive installation at Basement Roma, the artist uses archery to challenge notions of strength and gender stereotypes

The artist’s sparse, poetic show at Perrotin, Los Angeles, approaches post-minimalism as a vehicle for historical remembrance

In an impressive survey at Thaddaeus Ropac, London, the artist’s often-ambiguous paintings stimulate new ways of seeing

At Glenstone Museum, Potomac, the artist identifies violence at the core of American society – and risks reinscribing it

At Tabakalera, San Sebastián, an expansive show dedicated to the artist alludes to the broader challenges of mid-career retrospectives

At Ulrik, New York, the artist’s parodic installation contends with the seemingly immutable legend of ‘Vincent, who cut off his ear’

In an exhibition with no artworks at Chisenhale Gallery, London, the artist subverts conventions of display