At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
Dare Turner talks with Jeffrey Gibson, Archie Moore and Inuuteq Storch about working within the settler colonial framework of American, Australian and Danish pavilions
From an especially weak German pavilion to Yuko Mohri’s orchestra of rotting fruit, sensuality – and history – take centre stage at the Venice Biennale 2024