From a group exhibition at the Museum of Contemporary Art, Chicago, examining technology’s influence on painting, to Marc Kokopeli’s reflections on objecthood
From Tetsuya Ishida’s disaffected oil paintings at Gagosian, New York, to Ato Ribeiro’s wooden weavings at Museum of Contemporary Art of Georgia, Atlanta
The artist’s survey at High Museum of Art, Atlanta,draws from original and reprinted photography to challenge the viewer's expectations of Black photographic subjects