At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
The artist’s large-scale exhibition at the Walther Collection, Ulm, displays his skill for impersonation and adds depth to the genre of self-portraiture
At Jean Claude Maier, Frankfurt am Main, the artist samples from institutions that continue to hoard his native country's heritage, connecting the dots between Christianity and the Angolan textile cultures lost to colonial practices