From a group exhibition at the Museum of Contemporary Art, Chicago, examining technology’s influence on painting, to Marc Kokopeli’s reflections on objecthood
Marcel Dzama needs his head examined. The head, which is embedded in a torso that appears to be made of tin, is being harassed by a group of disapproving young men and women with neat haircuts and polo necks. They may be absentees from an early 1950s anti-pot public service film, although this is not clear.