Noemi Smolik

At Galerie Rudolfinum, Prague, the artist offers a bitter comment on the way that the ongoing violence in Ukraine has been normalized over time

At Kunsthalle Praha, a group exhibition traces bohemian living from post-war Paris to New York, Tehran, Vancouver, Beijing and, finally, Prague

At Jan Kaps, Cologne, the artist highlights the economic precarity of sex workers and the movements encouraging positive change

At Bonner Kunstverein, the artist investigates our relationship to everyday objects

At Zeno X Gallery, Antwerp, the artist takes a second look at the social and emotional aspects of images 

We should use this moment to propose new ways of making and showing

The artist explores the influence of myths and tales on present-day Georgia at Bundeskunsthalle, Bonn

Viewers of the artist's exhibition ‘Let It Come Down’ at Bonner Kunstverein, Germany, experience the curious inbetweenness of a limbo state

Clages, Cologne, Germany

Priska Pasquer, Cologne, Germany

Jan Bonny and Alex Wissel’s new film project, ‘Rheingold’, sends up the ethical superiority of art making versus capitalist production

Haus der Kunst, Munich, Germany

The audacious mixing of heritage and innovation in the Georgian capital

Wim T. Schippers on his long and diverse career

Despite its troubled history the Latvian capital is looking to the future

Museum Folkwang, Essen, Germany

Kazimir Malevich, who is the subject of a retrospective at Tate Modern, London, is generally considered a difficult mystic 

Bruce Nauman spoke with Noemi Smolik about his first projects with European gallerists, curators and artists and about how to turn a neon sign into a black square

dOCUMENTA (13) Artistic Director, Carolyn Christov-Bakargiev, spoke with Noemi Smolik about creating the exhibition and throwing out the concept

Imposition, discipline and confinement; wooden tunnels, metal corsets and classrooms