Performance

The artist’s exuberant sculptures and paintings, drawn from religious icons and club culture, are emblems of a changing New York 

Kristian Vistrup Madsen on Da Corte’s ‘Chicken’, which resurrected a 1966 Allan Kaprow happening

Two new films by the artist and her cohorts, on view at Lafayette Anticipations, Paris, speak to joint struggles and why collaboration is key

How Virunhakul's performances mobilize touch between audience and performer

Black Brazilian contemporary artists confront the racial violence of the state 

At Galerie Max Mayer, a series of LED ‘paintings’ reflects on the value of performative practices

Glasgow-based performer Liv Fontaine’s top tips

Charles Aubin, Aruna D’Souza, Brendan Fernandes, Ligia Lewis and Paul Maheke take stock of the performance world in the wake of COVID-19 

The artist’s bracing performances demonstrate that institutions – and perception itself – can never be neutral

Performa’s online exhibition ‘Bodybuilding’ is an intriguing attempt to bring live and spatial work to the screen

Artist Tom Pope talks to Matthew McLean (Senior Editor, Frieze Studios) about his new performance video ‘Art Workout’ in this live stream originally aired on 13 May 2020

The Berlin-based artist works across and between performance, text and image

The Detroit techno pioneer takes the floor at Dia Beacon for his first art commission

The artists’ joint presentation at MoMA considers the ways human biology both coexists with – and is subsumed by – modern technology

A retrospective at Museum of Contemporary Art Tokyo struggles to convey the collective’s energy and impact 

To mark the centenary of the Bauhaus’s opening in Weimar, Performa 19 considers: ‘What is the art school of the 21st century?’

Confronting tensions in the Taiwanese artist’s first performance in New York, at Performa 19

Frieze will present the fifth edition of the Art and Architecture Summit at the National Gallery Singapore on Friday 22 November 2019, in partnership with the Singapore Tourism Board

Speaking to frieze editor Andrew Durbin, Rainer discusses the way she resists the myths of the 1960s