The acclaimed comedian wants to be “Bahrain-y-prince wealthy” enough to put an Olafur Eliasson on his wall and finds Issy Wood equally fun and menacing
The Associate Curator of High Line Art revels in the rhythm and color of Tunji Adeniyi-Jones's painting, admires the intricacy of Sanaa Gateja's beadwork and is moved by Beatriz Cortez's powerful evocation of home
