On the 25th anniversary of frieze magazine, co-editor Dan Fox reflects on how publishing and contemporary art have changed
Ignoring its faux-dissident title, this year's edition at the New Museum displays a repertoire that is folky, angry, funny, urgent and poignant
How documentary filmmakers are experimenting with historical narratives to better understand the present
Learning to appreciate the laws of perspective
Why can’t New York get over its ‘bad old days’?
Mitchell-Innes & Nash, New York, USA
A new documentary portrays the Italian village that has performed plays about itself every summer for 50 years
The filmmaker on being placed on a terror watch list, aesthetic approaches, and Julian Assange’s gender politics in her new documentary Risk
Anicka Yi's work fuses biology with technology, finding new ways to talk about gender, race and economics.
A first look at ‘Viva Arte Viva’ at the Arsenale
Dan Fox looks at the work of Mark Bradford, who represents the US at this year’s Venice Biennale
Writer Hari Kunzru speaks about his new novel, White Tears, a timely reflection on race, class and cultural appropriation in the US
A posthumous publication of essays by artist and film theorist Ian White argues that the collective experience of cinema is more relevant than ever