10s

Showing results 1-20 of 32

‘A brilliantly analytical account of how the increasing prominence of English has gradually pushed other languages to a minor role’

BY Vincenzo Latronico |

‘It would be easy to cry to this tune, but difficult to dance to it’

BY Patrick Langley |

‘This performance, exquisite as always, is at once emotional and precise’

BY Sarah McCrory |

‘Despite the efforts of Trump and his ilk to deny it, the truth is out there’

BY Christy Lange |

‘Perhaps the shroud I am looking for is embracing lost souls and helping them to return’

BY Minouk Lim |

‘The poet moves their hips like someone on a tram about to vomit’

BY Rebecca Tamás |

A visual homage to the Netflix documentary

BY Donna Huddleston |

‘It has created a space of inclusion in a patriarchal art scene in which the visibility of female practitioners was minimal’

BY Bisi Silva |

‘Even with the softest breeze, it comes alive and gently plays with the world around’

BY Kulapat Yantrasast |

‘I stayed first for an hour, then whole afternoons and, eventually, days’

BY Jonathan P. Watts |

‘Here, the body becomes a ghostly mark in time, a blurring, a phantasm’

BY Christine Tohmé |

‘What triggered the initiation of the Association of Musical Marxists?’

BY Ahmet Öğüt |

‘The wide range of artists presented in this astonishing show was a provocation that will fuel many young curators and scholars in the coming years’

BY Adriano Pedrosa |

‘I don’t know how a poet becomes a poet. And I don’t think anyone else does either’

BY Glen Baxter |

‘Piper reminds me that I must remain committed to both my language and actions’

BY Naomi Beckwith |

With new work on view at Tanya Bonakdar, New York, a look back at the artist’s iconic Venice pavilion

BY Jennifer Egan |

‘Contemporary art institutions should stop looking to museums or theatres as role models and, instead, learn from nightclubs’

BY Jenny Schlenzka |

‘Nelson is wilful and demanding, forever frustrated by the gap between expression and vision, as are all great artists’

BY Claire L. Evans |

‘Gillen suggests that New York is less a place than it is an open-ended idea’

BY Andrew Durbin |

‘The contemporary global economy is based on flows and conversions of energy into information into capital’

BY Agnieszka Kurant |