Chris Kraus

Showing results 1-20 of 20

Writer and academic Helen Charman’s debut non-fiction book tracks the cultural fixation of mothering in art and literature

BY Anna Coatman |

The Sunset Strip seduces Kim Gordon, while Chris Kraus prefers MacArthur Park

Collected in a new volume, Hubbs’s new photographs transform humiliation and degradation into pillars of personal power

BY Chris Wiley |

On view at Kunstverein Gartenhaus, Vienna, the artist’s emotive, fragmentary films shift the locus of desire with feminist determination

BY Francesca Gavin |

A roundtable with Mexicali and Tijuana artists Mely Barragán, Pablo Castañeda, Fernando Méndez Corona and collector Alonso Elias. With a poem by artist Guillermo Gómez-Peña

Q: Will there come a point when you are sick of talking about I Love Dick? Has that point come already? 

A: Yes

‘The exhibition was one of the most formative and memorable things I’ve ever seen’

BY Chris Kraus |

The US writer and filmmaker has created new paths for arts writing and critical thinking, not from wielding a cudgel but by exposing our bruises

BY Jennifer Kabat |

Cal Revely-Calder wins the 2017 prize for his review of Dom Sylvester Houédard's exhibition 'Typestracts'

Chris Kraus’s biography of the first female ‘Great Writer as Countercultural Hero’

BY Juliet Jacques |

As a new biography of the author is published, revisiting Kathy Acker's writing on literature, logic and the libido 

BY Dodie Bellamy |

Released today on Semiotext(e), Holy Shit’s album Solid Rain gets nostalgic for the freewheeling creativity of a pre-gentrification LA

BY Josie Thaddeus-Johns |

From why its good to repeat jokes to how to keep it impersonal: what to read about this weekend

BY Paul Clinton |

This year’s prize, judged by Ed Atkins, Chris Kraus and Pablo Larios, is now open for entries

From Anthony Burgess being bitchy to a primer for Xenofeminism: what to read this weekend

BY Paul Clinton |

On the art of Monika Baer

BY Kirsty Bell |

Andrew Durbin discusses the books that have influenced him

BY Andrew Durbin |

In our second video supported by Arts Council England, Matthew McLean considers what failed interviews might tell us about art criticism

The radical journal and independent publisher has long been an open-ended enterprise, the product of innumerable people and their own tangled itineraries

BY David Morris |

Literature versus art history

BY Quinn Latimer |