Harun Farocki

The first of a new series that sees regular frieze contributors choose the best current exhibitions from their city

Trevor Paglen, Untitled (Reaper Drone), 2010, c-type print, 1.2 × 1.5 m. Courtesy: the artist, Altman Siegel, San Francisco, Metro Pictures, New York, and Galerie Thomas Zander, Cologne

What do drones see? And how can we see them?

As a director, film critic and teacher, Harun Farocki has analyzed the changing role of the moving image for more than 40 years

In an ongoing series, frieze asks artists and filmmakers to list the movies that have influenced their practice

Westfalischer Kunstverein/ Filmclub Munster, Munster, Germany