Ahmet Ögüt

In a new series that sees artists discuss unfinished projects, Ahmet Öğüt introduces the Unconditional Basic Income Lounge

Kunsthalle Mainz, Germany

Playlist - 24 Aug 2015

Zelimir Zilnik's 'Black Film' to Barış Manço & Kurtalan Ekspres's 'Dönence'

Bakunin’s Barricade, 2015, mixed media, dimensions variable; loan contract stipulating that the barricade may be requested and deployed during economic, social, political or transformative moments and social movements; and works from the Van Abbemuseum collection including the following paintings: René Daniëls, Grammofoon, 1978; Marlene Dumas, The View, 1992; Asger Jorn, Le monde Perdu, 1960; Oskar Kokoschka, Augustusbrücke Dresden, 1923; Fernand Léger, Une Chaise, un pot de fleurs, 2 bouteilles, 1951; El Lissitzky, Proun P23, No. 6, 1919; Pablo Picasso, Nature morte à la bougie, 1945; Jan Vercruysse, Schöne Sentimenten, 1988. Courtesy: the artist and Van Abbemuseum, Eindhoven; photograph: Peter Cox

Sam Thorne discusses activism, collaboration and the uses of absurdity with Ahmet Öğüt

Ahmet Öğüt, Bakunin’s Barricade, 2014, including paintings by Marlene Dumas, El Lissitzky and Pablo Picasso

Van Abbemuseum, Eindhoven, The Netherlands

A survey of recently founded artist-run art academies and education programmes

Independent publishing has seen a boom in new imprints, often designed by artists, of classic novels and ‘lost’ books