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Anna Boghiguian

Beyond the ‘forcefield of righteousness’ that occludes some political work, ‘Artes Mundi 8’ manages a complicated and rewarding show

By Hettie Judah
Zineb Sedira, Sunken Stories (detail), 2018, wooden boats, resin, stainless steel and steel reinforcement bars, dimensions variable, installation view, SAF Art Spaces, Sharjah. Courtesy: Sharjah Art Foundation 

For the three-day event in the UAE, the best works and talks were ones in which geographical and cultural hybridity shone through

By Pablo Larios
Carolyn Christov-Bakargiev. Courtesy: PARISLA

‘The art world is becoming more conservative’: for a new series, the Director of Castello di Rivoli speaks about her experience in the arts

Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy

By Hettie Judah

With the opening of Artissima this week, a guide to the best shows and events across the city

By Barbara Casavecchia
Sarah Pierce, Gag, 2015, installation view, Van Abbemuseum. Courtesy the artist; photograph: Peter Cox

Van Abbemuseum, Eindhoven, Netherlands

By Laura Herman