Anna Maria Maiolino

Ahead of her retrospective at London’s Whitechapel Gallery, the artist speaks to contributing editor Fernanda Brenner about the themes of hunger and hybridity in her work

By Fernanda Brenner

São Paulo

14 Feb
23 Mar
Anna Maria Maiolino, É o que Sobra (What Is Left Over), from the series ‘Fotopoemação’ (Photopoemaction), 1974, digital print, 62 × 153 cm. Courtesy: the artist and Galleria Raffaella Cortese, Milan

How the radical practices of female artists drove the Modernist movement in Brazil

By Claudia Calirman
Regina Silveira, Biscoito arte (Art cookie), 1976, (detail), c-prints (diptych), 1.8 × 1.0 m overall. Courtesy: Fernanda Feitosa and Heitor Martins, © the artist

Hammer Museum and the Museum of Contemporary Art, Los Angeles, USA

By Summer Guthery

Los Angeles

4 Aug
22 Jan
Wooden hand from Anna Maria Maiolino’s studio. Courtesy: the artist and Hauser & Wirth, London, Zurich and New York

Q. What could you imagine doing if you didn’t do what you do? A. Drifting on a boat.

By Anna Maria Maiolino

Galleria Raffaella Cortese, Milan, Italy

By Barbara Casavecchia