Athens

Cover page of Jakob Ullmann’s score, voice, books and FIRE II/4, 1996–98, exhibited at documenta 14, Athens, 2017. Courtesy: the artist

What are the implications of documenta 14’s focus on the aural?

The final part in a series of our editors’ initial impressions from documenta 14 Athens, Amy Sherlock on the fourth and largest of the main venues

Roee Rosen, Live and Die as Eva Braun, 1995–97, mixed media on paper, installation view, Benaki Museum—Pireos Street Annexe, Athens, documenta 14. Photograph: Stathis Mamalakis

The third in a series of our editors’ initial impressions from documenta 14 Athens, Jennifer Higgie on the Benaki Museum

The second in a series of our editors’ initial impressions from documenta 14 Athens, Harry Thorne on the Athens Conservatoire

For the first in a series of our editors’ initial impressions from documenta 14 Athens, Pablo Larios takes a look at the ASFA

Ahead of the public opening of documenta 14 this Saturday, a look at what we already know from ‘Learning from Athens’

The full schedule of performances taking place across the preview days of d14 in Athens

Ahead of documenta 14 opening in the city this week, a guide to the other shows and projects happening around town

What can documenta 14 do for Athens?

A report from the opening of Paul B. Preciado’s Public Programs for documenta 14, Athens

Pods designed by Greek textile designer Antigone Lentos and Belgian designer Thomas Lommée, situated in the Athens Conservatoire for IdeasCity Athens. Courtesy: ΝΕΟΝ + New Museum, New York; photograph: © Panos Kokkinias

A report from the residency and conference asking how art and artists should engage in places of political or economic instability

David Hammons, The Wine Leading  the Wine, c.1969, body print, 1 × 1.2 m. Courtesy: George Economou Collection, Athens; photograph: Bill Orcutt 

Mnuchin Gallery, New York & The George Economou Collection, Athens