Barbara Casavecchia

Showing results 1-20 of 65

Kosovo makes moves to secure the long-term survival of its cultural history

BY Barbara Casavecchia |

At Muzeum Susch, a posthumous retrospective showcases the artist’s liberating use of latex

BY Barbara Casavecchia |

Barbara Casavecchia interviews the four finalists of Venice’s new College Arte programme

BY Barbara Casavecchia |

At Ordet, Milan, the artist's works based on the circulation and consumption of energy speak to the power of relations

BY Barbara Casavecchia |

‘How Will We Live Together’ – curated by Hashim Sarkis – dreams of a brighter future but fails adequately to respond to the present

BY Barbara Casavecchia |

A country which was once the epicentre of COVID-19 has seen its art scene flourish thanks to the museumscommunity-driven response to the crisis

BY Barbara Casavecchia |

The creator of ‘allegorical’ exhibitions, who believed in the potential of mistakes, has died aged 88

BY Barbara Casavecchia |

MACRO’s ‘Museum for Preventive Imagination: Editorial’ is an experiment with new exhibition formats

BY Barbara Casavecchia |

Ahead of his new work, filmed on a boat in Venice, an interview with the Italian auteur

BY Barbara Casavecchia |

Each day for the next month, we’ll highlight a different exhibition that’s affected by the Covid-19 crisis

BY frieze |

As Italy comes under full lock-down, surveying the effects of a global health emergency

BY Pablo Larios |

At Converso, Milan, the artist transforms a baroque church into a playground for sculptural interventions

BY Barbara Casavecchia |

Why we’re excited about new works by Jamie Crewe, Sung Tieu, Rodrigo Hernández and Thảo Nguyên Phan

Barbara Casavecchia on the 2019 Golden Lion-winning artist

BY Barbara Casavecchia |

The artists in ‘Time Forward!’ at the V-A-C Foundation in Venice speculate on what the future might bring

BY Barbara Casavecchia |

After an extensive restoration, the lavish palazzo hosts Peter Bartoš, Jimmie Durham and Henrik Håkansson

BY Barbara Casavecchia |

Renato Leotta employs moonlight, waves, dry-stone walls and ‘southern thought’ in order to ‘slow down time’

BY Barbara Casavecchia |

Curated by Paola Antonelli, ‘Broken Nature’ offers a few rays of hope amid environmental disaster

BY Barbara Casavecchia |

At Galleria Massimo Minini, Brescia, the artist explores technical virtuosity and trompe l’oeil through bronze-branches on fire, fake mirrors and floating candles

BY Barbara Casavecchia |