Bert Rebhandl

From the controversial winner of the Golden Bear to Morgan Fisher's homage to Bruce Conner – to possibly the bleakest film ever made

By Bert Rebhandl

Künstlerhaus Stuttgart, Germany

By Bert Rebhandl

Celebrating its 70th anniversary, a preview of some of the highlights of this year’s festival which opens today

By Bert Rebhandl

The lead in The Handmaiden, Kim Min-hee is proving to be the most interesting Korean actor for some time

By Bert Rebhandl

Two of the most interesting films from this year's Berlinale festival were created by alumni of Harvard's Sensory Ethnography Lab

By Bert Rebhandl

How the volatile political climate in the US might influence this year’s voting

By Bert Rebhandl

The Revenant to Toni Erdmann to Elle: a look back at the year's best films

By Bert Rebhandl

On Ken Loach’s I, Daniel Blake, winner of the Palme d'Or at this year's Cannes Film Festival

By Bert Rebhandl

On Robert Greene’s new meta-documentary Kate Plays Christine

By Bert Rebhandl

This week’s Culture Digest focuses on three new film releases. First up, Andrea Arnold’s American Honey

By Bert Rebhandl

Part three of Bert Rebhandl’s film picks: food for thought in Naomi Kawase’s latest

By Bert Rebhandl
Thomas Vinterberg, The Commune, 2016. Photograph: Ola Kjelbye

Thomas Vinterberg’s return to form: part two of the best new film releases selected by Bert Rebhandl

By Bert Rebhandl