Bristol

Family history, myth and geopolitics intertwine in the artist’s largest UK show to date

By Cleo Roberts

Informed by her heritage, the Athens-based artist reflects on technology’s gradual erosion of social relations at Spike Island, Bristol 

By David Trigg

Bristol

5 May
8 Jul
Kim Yong-Ik, left to right; Untitled (second version 2017, after lost original of 1986) and Untitled (second version 2017, after lost original 1989), installation view, ‘I Believe My Works Are Still Valid’, 2017, Spike Island, Bristol. Courtesy: the artist and Kukje Gallery

Korean Cultural Centre, London, and Spike Island, Bristol, UK

By Tim Smith-Laing

Spike Island, Bristol, UK

By Holly Corfield Carr
Andy Holden The Cookham Erratics, 2012, Installation view

WORKS | PROJECTS, Bristol, UK

By David Trigg

Spike Island, Bristol, UK

By Michael Bracewell