Bruce Nauman

Is today’s art too self-referential?

By Dieter Roelstraete
Figure 7. Bridget Riley, Current, 1964

Fascinated by accounts of seemingly mysterious perceptual experiences, the artist relates her findings and how they impacted her work

By Jennifer Bornstein

The Golden Lion (and alternative awards) at the 53th Venice Biennale

By Christy Lange

First impressions of the 53rd Venice Biennale

By Sam Thorne

Anarchic urbanism; pigeons, song and dance

By Sam Thorne

Chicago Cultural Center, USA

By Jason Foumberg

Dia Center for the Arts, New York, USA

By Kristin M. Jones