Campoli Presti

For 40 years, the Italian artist’s work has ‘shocked us into new realities’

By Aaron Peck


19 Oct
17 Feb


6 Oct
9 Mar
Eileen Quinlan, Fried Sensor, 2015, glossy digital c-type prints mounted on Perspex, 102 × 76 cm

Campoli Presti, London, UK

By Jonathan P. Watts

New York-based artist Amy Sillman talks with Matt Saunders about dandyism, comedy and the legacy of Abstract Expressionism

By Matt Saunders